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UID:20250929T064148EDT-9818crkffM@132.216.98.100
DTSTAMP:20250929T104148Z
DESCRIPTION:The Centre for Intellectual Property and Policy (CIPP) welcomes
  Professor Robert Brauneis\, George Washington University Law School for a
  talk on intellectual property.  Robert Brauneis is a Professor of Law and
  Co-Director of the Intellectual Property Law Program at the George Washin
 gton University Law School.  During the academic year 2013-2014\, he is se
 rving as the Abraham L. Kaminstein Scholar in Residence at the United Stat
 es Copyright Office. He is the co-author of Copyright: A Contemporary Pers
 pective\, and the author of numerous articles\, on copyright\, trademark\,
  and a number of other legal topics. He is a member of the Managing Board 
 of the Munich Intellectual Property Law Center and a Trustee of the Copyri
 ght Society of the USA.”  Abstract  Federal copyright law in the United St
 ates\, paralleled by copyright law in Canada\, has always reflected and re
 inforced the model of music as a two-stage art of composition and performa
 nce. In the last several decades\, however\, developments in sound technol
 ogies and their uses by musicians and listeners have substantially undermi
 ned that distinction. Written notation often no longer figures in any stag
 e of producing a musical recording within a digital environment.   Should 
 copyright law respond by recognized a new category of works of authorship\
 , namely\, audio works? This lecture will outline the potential benefits a
 nd difficulties of doing so.
DTSTART:20140122T180000Z
DTEND:20140122T193000Z
LOCATION:NCDH 202\, Chancellor Day Hall\, CA\, QC\, Montreal\, H3A 1W9\, 36
 44 rue Peel
SUMMARY:Musical Work Copyright for the Era of Digital Sound Technology
URL:/law/channels/event/musical-work-copyright-era-dig
 ital-sound-technology-232379
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